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RUBRICS for Interdisciplinary
& Expressive Arts - Prof. John Toth, Ph.D. Journal Entry Assessment Tool |
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Elements of Standard |
Unacceptable |
Acceptable |
Target |
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Teacher Candidate describes, analyzes and interprets main
topics of each class session. |
No reference is made to topics of each class session. |
Adequate reference is made to topics of each class session |
Illuminating reference is made to topics of each session |
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TCÕs describes his/her personal experience with each class
session. |
No description of personal experience. |
Description of personal experience. |
In-depth description of personal experience and new
connections to aesthetic experience are eloquently articulated |
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TC understands connection of aesthetic education
with childhood curriculum. |
No aesthetic education connections made with childhood
curriculum. |
Aesthetic education connections made with childhood
curriculum |
Cogent, creative aesthetic education connections made with
childhood curriculum. |
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TC demonstrates ability to develop a topic, write well,
and clarify questions. |
Entries are not well organized. Writing is ungrammatical
and awkward. |
Entries are well organized but the writing is not
consistently clear. Few grammatical mistakes are made. |
Entries are well organized and written in a clear and
accurate manner. |
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Elements of Standard |
Unacceptable |
Acceptable |
Target |
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Teacher CandidateÕs ability to describe his/her personal
experience with work art (visual, dance, theater, music). |
No description of personal experience with work of art or
related activities. |
Description of personal experience with work of art is
articulated. |
In-depth description of personal experience with work of
art and new connections to aesthetic experience are eloquently articulated |
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TC describes, analyzes and interprets works of art the
four arts disciplines---dance, music, theater, and the visual arts—develops
knowledge and skills in the basic vocabularies, materials, traditional and
technology-based tools, techniques, and thinking processes of each arts
discipline. |
No reference is made to art/ performance images, elements,
language and so forth. |
Adequate reference is made to art/ performance images,
elements, language and so forth |
Illuminating reference is made to art/ performance images,
elements, language and so forth. |
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TC understands connection of professional art works to
classroom activities. |
No art/ performance connections made with childhood
curriculum. |
Art/ performance connections made with childhood
curriculum. |
Cogent, creative art/ performance connections made with
childhood curriculum. |
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TC demonstrates ability to develop a topic write well, and
clarify questions. |
Paper is not well organized. Writing is ungrammatical and
awkward. |
Paper is well organized but the writing is not
consistently clear. Few grammatical mistakes are made. |
Paper is well organized and written in a clear and
accurate manner. |
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RUBRIC FOR TEACHER CANDIDATE PARTICIPATION
IN CLASS DISCUSSION ON ARTS ACTIVITY
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Elements of Standard |
Unacceptable |
Acceptable |
Target |
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Content rating is concerned with the amount of
content related to the arts experience, the relevance of the content to the
topic and the adaptation of the content to the class and the arts experience. This rating is concerned with content in terms of
quantity, relevance and adaptation. * Rating is not based on prior knowledge in the arts or
experience in the arts. |
* The Teacher Candidate says practically nothing. * The TC focuses primarily on irrelevant content. * The TC is highly egocentric. * TC appears to ignore the class and the arts experience. |
* The TC provides enough content to meet the topic at
hand. * The TC focuses primarily on relevant content. The TC
sticks to the topic. * The TC adapts the content in a general way to the arts
experience. * The TC uses words & concepts appropriate for the
arts experience. |
* The TC provides a variety of types of content
appropriate for the task, such as generalizations, details, examples and
various forms of evidence. * The TC adapts the content to the class and the arts
experience under discussion. * The TC takes into account the specific arts experience
of the class. |
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The delivery rating is concerned with volume,
rate, and articulation of the message. Some examples of poor articulation include
mumbling, slurring words, stammering, stuttering. Articulation will be rated
with respect to ability to understand the message. * Remember, in this
component the TC is rated on how she/he speaks, not what the he/she says.
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* The volume is so low that you cannot understand most of
the message. * The rate is so fast. * The pronunciation and enunciation are so unclear. |
* The volume is not too low or too loud. * The rate is not too fast or too slow. * Pauses are not too long or at inappropriate spots. * The pronunciation and enunciation are clear. |
* The TC delivers the message in a lively, enthusiastic
fashion. * The volume varies to add emphasis and interest. * Rate varies and pauses are used to add emphasis and
interest. * Pronunciation and enunciation are very clear. |
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The organization rating focuses on how the content
of the message is structured. It is concerned with sequence and the relationships among the ideas in the message. * Remember the candidate is rated on how she/he
organizes the message, not what the student says. |
The message is so disorganized you cannot understand most
of the message. |
The message is organized. You do not have difficulty
understanding the sequence and relationships among the ideas in the message.
You can put the ideas in the message in an outline. |
The message is clearly organized. The TC helps you
understand the sequence and relationships of ideas by using organizational
aids such as announcing the topic, previewing the organization, using
transitions, and summarizing. |
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The language rating is concerned with grammar and choice of words * Remember, in this component the candidate is rated on
how she/he conveys the message through language, not what the TC says. |
The grammar and vocabulary are so poor that you cannot
understand most of the message. |
* The TC makes few grammatical mistakes. * The TC uses descriptive language, clear and concise
language persuasive language. * The TC uses complex grammatical structure and abstract
vocabulary. |
* The TC makes very few grammatical mistakes. * The TC uses language in highly effective ways. * The TC uses vivid language, emotional language, humor,
imagery, metaphor, and simile. |
RUBRIC FOR
HANDS-ON ART ACTIVITIES
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Elements of Standard |
Unacceptable |
Acceptable |
Target |
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Elements / Principles/ Expressive Correct use of elements (line, shape / form, value, space,
color, texture), principles (balance, harmony, variety, emphasis, rhythm/
movement/ repetition, gradation, proportion and unity) and expressive
elements emotions, Concepts, metaphors, etc.) |
Finished artwork shows no understanding of elements,
principles or expressive elements required to solve problems. |
Finished artwork shows understanding of elements,
principles or expressive elements required to solve problems. |
Finished artwork shows a deeper understanding of elements,
principles and expressive elements required to solve problem. |
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Craftsmanship/Technique Craftsmanship is aptitude, skill, manual dexterity in use
of media and tools. Technique is manner and skill with which the TC employs
the tools/ materials to achieve the chosen effect. |
Finished artwork shows little or no skills in manipulation
of media and technique used to express creative idea. |
Finished artwork shows skills in manipulation of media and
technique used to express creative idea. |
Finished artwork shows great skills in manipulation of
media and technique used to express creative idea. |
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Creativity/Elaboration/ Involves amplification, development of theme in unique
manner. Work exhibits a distinctive, individual style (manner of expression)
unique to the TC. TC works independently. |
Lack of originality, theme is very weak, trite,
stereotypical, copied or trace; very little or no initiative; student waits
to be told what to do. |
Average degree of originality, theme is present with some
elaboration; some initiative in working and independent thinking. |
Superior degree of originality throughout; very unique
solution; theme has been elaborated upon to a high degree; works and thinks
independently all the time. Self-initiated. |
RUBRIC FOR DREAM COLLAGE:
CREATING A BLACK AND WHITE COLLAGE
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CRITERIA |
BELOW STANDARD Unacceptable (Redo) |
MEETS STANDARD Acceptable |
ABOVE STANDARD Exceptional |
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Elements/ Principles/ Expressive Appropriate use of black and white, movement,/ stillness,
abstraction, figure/ ground, elements shape/form, space, balance, harmony,
variety, emphasis, proportion, unity / disunity, expressive elements
emotions, concepts, metaphors, etc. |
Black and White Collage shapes do not capture movement and
stillness. Difficult to distinguish movement from stillness. The two
shapes are not abstract (they look like recognizable imagery) and do not
interact with each other. |
Black and White Collage capture movement and stillness.
The two shapes are abstract and interact with each other. |
Black and White Collage images capture convincingly
movement and stillness. The two shapes are abstract and clearly interact with
each other. |
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(Less Important) Craftsmanship is aptitude, skill, manual dexterity in use
of medium (collage) and tools (hands, scissors, glue). Technique (cutting,
tearing and pasting) is manner and skill with which the TC employs the tools/
materials to achieve the Black and White Collage. |
Little or no skills in manipulation of the two shapes and
technique (cutting, tearing, and pasting) used to express the desired goal of
collage. Collage is very sloppy and dirty. |
Shows skills in manipulation of the two shapes and
technique (cutting, tearing, and pasting) used to express movement vs.
stillness. |
Shows great skills in manipulation of the two shapes and
technique (cutting, tearing and pasting) used to express movement vs.
stillness. |
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(Most Important) Amplification, development of theme of ÒMovement vs. Stillness.Ó
Explored the possibilities in expressing movement vs. stillness through
abstract shapes. |
Lack of originality ÒStill Vs MovingÓ theme is weak,
stereotypical, copied or trace. Two shapes do not interact with each
other. |
Average degree of originality. ÒStill Vs MovingÓ theme is
present with some elaboration. Shapes show interaction with each other. |
Superior degree of original nality throughout; very unique solution; ÒStill Vs MovingÓ
theme elaborated upon to a high degree. Subject is rich in meaning, imaginatively
shows shapes interacting with each other. |
RUBRIC FOR
CREATING A SYMBOLIC LANGUAGE: MIXED MEDIA
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CRITERIA |
BELOW STANDARD |
MEETS STANDARD |
ABOVE STANDARD |
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The TC displays an ability to visually communicate a
relationship between an image and an idea. |
The use of symbols is obvious and uncreative. |
The use symbols communicates a meaningful relationship and
shows creativity |
The use of symbols establishes a meaningful, challenging
relationship that is original or unexpected. |
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Craftsmanship/Technique: The symbol is executed in a way that communicates an idea
in a aesthetically visual manner. |
Little or no skills in manipulation symbol. Poor color
choice. Inappropriate technique. Traced image. Borrowed icon. |
The technique contributes to the meaning of the symbol. |
Shows great skills in manipulation of paint and technique
used to express |
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Creativity / Elaboration/ Inventiveness Amplification, development of a symbolic theme occurs in
distinct and creative way. |
Lack of originality Theme is weak, stereotypical, copied
or trace. |
Average degree of originality. Theme is present with some
elaboration. |
Superior degree of originality throughout; very unique
solution; theme elaborated upon to a high degree. |
RUBRIC: CREATING CONCRETE POEM REFLECTING ON
GALLERY VISIT
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CRITERIA |
BELOW STANDARD |
MEETS STANDARD |
ABOVE STANDARD |
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Incorporates some of the following Elements /
Principals/ Expressive Elements to
integrate the text into a visual composition: balance, harmony, variety,
emphasis, rhythm/ movement/ repetition, gradation, proportion, unity,
emotions, concepts, metaphors, etc. |
Organization and arrangement / design of text communicates
no visual reflection of gallery experience. |
Organization and arrangement / design of text communicates
a reflection of gallery experience. |
Organization and arrangement / design of text communicates
an enhanced reflection of gallery experience. |
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Craftsmanship / Technique: Manner and skill with which the TC manipulates (hand-made
or computer-made) the text---font/size/color---to visually achieve the chosen
effect. |
Finished concrete poem shows little or no skills in
manipulation of the text and technique used to visually achieve the chosen
effect. |
Finished concrete poem shows skills in manipulation of the
text and technique used to visually achieve the chosen effect. |
Finished concrete poem shows great skills in manipulation
of the text and technique used to visually achieve the chosen effect. |
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Creativity / Elaboration/ Inventiveness Amplification, developments of theme in unique manner of
the gallery visit. |
Lack of originality. Theme is weak, stereotypical, copied
or trace. |
Average degree of originality. Theme is present with some
elaboration. |
Superior degree of originality throughout; very unique
solution; theme elaborated upon to a high degree. |
RUBRIC FOR CREATING A TRANSFORMATION / METAMORPHOSIS
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CRITERIA |
BELOW STANDARD |
MEETS STANDARD |
ABOVE STANDARD |
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Correct use of gradation: Using black, white and red paints create at least five
tints and shades of red |
Less than five tints and shades red. |
Exactly five tints and shades red. |
More than five tints and shades of red. |
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Craftsmanship/Technique: Manner and skill with which the TC employs the tools/
materials to achieve the chosen effect. |
Little or no skills in manipulation of paint and technique
used to express ÒMetamorphosis.Ó |
Shows skills in manipulation of paint and technique used
to express ÒMetamorphosis.Ó |
Shows great skills in manipulation of paint and technique
used to express ÒMetamorphosis.Ó |
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Creativity / Elaboration/ Inventiveness Amplification, development of theme of Metamorphosis
occurs in distinct stages. |
Lack of originality Theme is weak, stereotypical, copied
or trace. |
Average degree of originality. Theme is present with some
elaboration. |
Superior degree of originality throughout; very unique
solution; theme elaborated upon to a high degree. |
RUBRIC: CREATING A MANDALA DESIGN
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CRITERIA |
BELOW STANDARD |
MEETS STANDARD |
ABOVE STANDARD |
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(Very Important) There should be no bottom, top, or sides. Any way you hold
paper will look balanced. There should be at least six sections radiating out
from or in to center. |
There are less than six radiating sections. There is
clearly a top, bottom and sides. There is no flow of imagery/ line or color
radiating out or in to center. |
There are six radiating sections. There is no top, bottom
or sides. There is a flow of imagery/ line or color radiating out or
in to center. |
There are more than six radiating sections. There is no
top, bottom or sides. There is a complex and convincing flow of imagery/ line or
color radiating out or in to center. |
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(Important) Manner and skill with which the TC employs the media
(painting, colored drawing, collage) tools (brushes, markers, pencils,
scissors etc.) and technique to achieve the Mandala Design. |
Shows little or no skills in manipulation of media, tools
and technique used to achieve the Mandala Design. |
Shows some degree of skills in manipulation of media,
tools and technique used to achieve the Mandala Design. |
Shows great skills in manipulation of media, tools and
technique used to achieve the Mandala Design. |
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(Most Important) Amplification, development of Mandala: design exhibits a
distinctive, individual style, unique to the TC. Shows elaboration and
inventiveness in the lines, colors, shapes, forms and imaginary creatures
radiating in/out from edge/center of circle. |
Mandala is weak, stereotypical, copied or trace lacking
originality. Mandala shows no elaboration and inventiveness in use of lines,
colors, shapes, forms and imaginary creatures. Parts do not radiate in/out
from center of circle. |
Mandala has average degree of originality. Mandala shows
use of lines, colors, shapes, forms and imaginary creatures. Parts radiate
in/out from center of circle. |
Mandala shows superior degree of originality throughout;
very unique solution; Lines, colors, shapes, forms and imaginary creatures
elaborated upon to a high degree. Complex and inventive radiating of parts,
in/out from center of circle. |
RUBRIC: CREATING
CUT-PAPER LETTERING COLLAGE
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CRITERIA |
BELOW STANDARD |
MEETS STANDARD |
ABOVE STANDARD |
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(Maximum 3) Correct use of art elements line, shape/form, value,
space, color, principles of design (balance, harmony, variety, emphasis,
rhythm/ movement/ repetition, proportion and unity) and expressive elements
(emotions, concepts, metaphors, etc.) |
(.5) Cut-Paper Lettering Collage shows no understanding of
function of color, design, shape/ size of letters, imagery and composition,
to express self identity emotionally, conceptually, metaphorically, etc
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(1 – 2 ) Cut-Paper Lettering Collage shows understanding of
function of color, design, shape/ size of letters, imagery and composition,
to express self identity emotionally, conceptually, metaphorically, etc
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(2.5 – 3) Cut-Paper Lettering Collage shows a deep understanding of
function of color, design, shape/ size of letters, imagery and composition,
to express self identity emotionally, conceptually, metaphorically, etc
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(Maximum 2) Craftsmanship is aptitude, skill, manual dexterity in use
of media (collage) and tools scissors and glue. Technique (cutting, tearing
and pasting) is manner and skill with which the TC employs the tools/
materials to achieve the chosen effect. |
(.5) Cut-Paper Lettering Collage shows little or no skills in
the manipulation of colored paper and technique used to express
self-identify. |
(1 – 1.5) Cut-Paper Lettering Collage shows skills in the
manipulation of colored paper and technique used to express self-identify. |
(2) Cut-Paper Lettering Collage shows great skills in
the manipulation of colored paper and technique used to express
self-identify..Ó |
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(2) Creativity/Elaboration/ Involves amplification, development of theme
(self-identity) in unique manner. Work exhibits a distinctive, individual
style (manner of expression) unique to the TC. |
(.5) Collage lacks originality, theme (self-identity) is very
weak, trite, stereotypical, copied or trace, very little or no initiative. |
(1 – 1.5) Collage shows an average degree of originality, theme
(self-identity) with some elaboration; some initiative in working and independent
thinking. |
(2) Collage shows superior degree of originality throughout;
very unique solution; theme (self-identity) has been elaborated to a high
degree; works and thinks independently all the time. thinking. |
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Prof. John Toth / HUNTER COLLEGE |
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RUBRIC FOR COLLABORATIVE PARTICIPATION WITHIN
AESTHETIC EDUCATION
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Elements of Standard |
Unacceptable |
Acceptable |
Target |
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Research & Gather Information Share Information |
* Does not collect any information that
relates to the topic. * Does not relay
any information to teammates. |
* Collects some basic information--most
relates to the topic. * Share some basic information--most relates
to the topic. |
* Collects a great deal of information--all
relates to the topic. * Share a great deal of
information--all relates to the topic. |
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Commitment to the tasks and goals |
* Rarely focuses on tasks and goals; |
* Focuses on task and goals most of the time; |
* Almost always focuses on tasks and goals. |
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Meaningful contribution |
* Rarely contributes useful ideas/ solutions. |
* Sometimes contributes useful ideas/solutions |
* Routinely contributes useful ideas/solutions. |
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1. Fulfilling responsibilities to the group. 2. Share Equally |
* Fulfills assigned responsibilities with minimal
effectiveness.* Does not perform any duties of assigned team role. |
* Fulfills assigned responsibilities with moderate
effectiveness. * Performs nearly all duties. |
* Fulfills assigned responsibilities with a high
degree of effectiveness. * Performs all duties of assigned team role. |
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Working with others |
* Rarely listens to, shares with, or supports
others. |
* Frequently listens to, shares with, and supports
others. Does not cause "waves" in the group. |
* Routinely listens to, shares with, and supports
others. Tries to keep people working well together |
RUBRIC FOR PRIME COMMUNICATION
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CRITERIA |
BELOW STANDARD |
MEETS STANDARD |
ABOVE STANDARD |
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Elements/Principles/ Expressive Correct use of the art element of line: Understands
the language and differences between curvy, straight, parrellel, shaped
to make forms or outlines. Controls pressure to illustrate light and dark
values, space, colorÉ |
< 79.9 Drawing shows no understanding of the use and
function of line. |
80 > 89.9 Drawing shows understanding of function of line in the
imagery and composition, to express self identity emotionally,
conceptually, metaphorically, etc |
90 > 100 Drawing shows a deep understanding of function of line in
the imagery and composition, to express self identity emotionally,
conceptually, metaphorically, etc |
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Craftsmanship/Technique Drawing aptitude, skill, manual dexterity in use of
drawing media: pencils, craypas, colored pencils, markers. Drawing technique
displays a skill with which the TC employs the tools/ materials
to achieve the chosen effect. |
Drawing shows little or no skills in the manipulation and
technique used to express self-identify. |
Drawing shows skills in the manipulation and technique
used to express self-identify. |
Drawing shows great skills in the manipulation and
technique used to express self-identify. |
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Creativity/Elaboration/ Inventiveness/ Independence Drawing Involves amplification, development of theme
(self-identity) in unique manner. Work exhibits a distinctive, individual
style (manner of expression) unique to the TC. |
Drawing lacks originality, theme (self-identity) is very
weak, trite, stereotypical, copied or trace, very little or no initiative. |
Drawing shows an average degree of originality, theme
(self-identity) with some elaboration; some initiative in working and
independent thinking. |
Drawing shows superior degree of originality throughout;
very unique solution; theme (self-identity) has been elaborated to a high
degree; works and thinks independently all the time. thinking. |
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HUNTER COLLEGE |
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Elements of Standard |
BELOW STANDARD B-
and below |
MEETS STANDARD |
ABOVE STANDARD |
Presentation: |
Awkward presentation. Fumbles page turns. Poor train of
thought |
Presentation is adequate. Good posture. Speaks clearly. |
Enthusiastic presentation. Excellent language and
communication skills. |
Concepts and ideas: Is there an idea or theme that holds the work together
with quotes or design? Does the portfolio contain examples of artworks under
study? |
The portfolio is not laid out in a manner that communicates
a flow of ideas. Portfolio is designed in a manner that does show a
sequence of ideas. |
Content of the portfolio is laid out in a clear sequential
manner. Good support context, quotes and art images that form the portfolio
content. The portfolio has a table of contents. |
Exceptional connections between the generated artwork and
clarity of ideas, contextual info. and curricular connections. Portfolio
shows a clear connection between the studied artworks, activities and the
assigned reading articles. |
Skills in visualization: Is the portfolio laid out and composed in a manner that is
visually easy to read) |
The portfolio is visually hard to read. The art is not framed
and matted. The artwork looks awkwardly placed. Graphic display of text,
visual motifs and context interfere with the artwork. Poor choice of
portfolio materials. |
The portfolio is visually easy to read. The framing of art
makes the artwork look good. Ideas and context do not interfere with the
artwork. Color choice of portfolio materials enhance the artwork and visual
content. |
The portfolio is visually exciting to look at. The framing
of art makes the artwork look exceptional. Ideas and context enhance the
artwork. Exceptional design of paper and color choices of portfolio
materials. |
Prof. John Toth, Ph.D. |
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