3404 / ECC. 713.00.002  HUNTER COLLEGE SCHOOL OF EDUCATION, CURRICULUM & TEACHING
Fall 2008
THE EXPRESSIVE ARTS IN EARLY CHILDHOOD

MONDAY  4:30-7:00 PM Room W704
Prof. John Toth, Ph.D. / jtoth@hunter.cuny.edu / tel. 212 772-4685
Office Hours: W1109  Monday 4:00 - 4:30, 7:00 – 7:30 (other times by appointment)

OVERVIEW:   

       Through the courseÕs modeling of Aesthetic Education the teacher candidate will come to understand how the experiential study of the visual arts will enhance cognitive, perceptual, expressive and imaginative abilities. Through the hands-on-study of works of arts the teacher candidate will identify and articulate multi-sensory modes of learning to organizational principles, materials and techniques used to create works of art.  The teacher candidate will bring her/his knowledge and experience of diversity, child development and basic principles of early childhood curriculum to utilize the arts throughout the elementary curriculum. The teacher candidate will understand how to collaborate with students, parents, community and school administrators in ongoing planning and advocacy for the arts within elementary school curricula.  The teacher candidate will also gain skills and understanding of technologies for the classroom: blackboard, digital photography, desk top publishing, web research and power point presentation. Please look for more thorough instructions for homework and assignments in COURSE DOCUMENTS on the Hunter College Black Board for this course.

hyperlinks < click on the blue text to open each lesson plan, articles and on-line arts data

  CONCEPT: OBJECTIVE: HOME ASSIGNMENT: DUE TODAY:
Sept 8 1 LINE QUALITIES < click to open file
PRIME COMMUNICATION
Literacy & the Arts: theory / practice
Make portraits using line signatures.

ASSIGNED TODAY: READ: Elliot W. Eisner
< click to open file

Supplies - pencil, paper

Sept 15

2 VALUE PAINTING  < click to open file
TONES, TINTS & SHADES. Introduce differences between skill and creativity.
Paint 8 tones. Choose your own theme to create a B&W value painting ASSIGNED TODAY: CREATE a DREAM COLLAGE Due - Eisner response
Supplies - paint, brushes, w/c paper

Sept 22

3 BODY LANGUAGE  < click to open file
PRIME COMMUNICATION
Gesture communicates meaning and expression in the Arts.
Draw 12 gesture studies of small groups doing specific tasks. Paint one of the sketches.

ASSIGNED TODAY:
READ: Maxine Greene 1
< click to open file

Due - Dream Collage
Supplies - pencil, paper

Oct 6

4. SYMBOLIC LANGUAGE
ART / HISTORY COMMENTARIES
Make art that considers personal, social, cultural differences using symbols to communicate.
Draw 8 symbols of an historic event. Create a painting that tells a story using symbols.

ASSIGNED TODAY:
RESAERCH: CULTURAL IDENTITY < click to open file
Due - Greene response
Supplies - pencil, paint, w/c paper, markers, brushes
Oct 14
(Tues)
5. TRANSFORMATION
CHANGE OVER TIME. Understand transformation as a process of change over time.
Draw 4 stages of a natural development. Create 4 sounds. Make a dance that shows the process ASSIGNED TODAY: CREATE a PATTERN BLOCK artwork
Pattern Block Program

Due - Cultural Identity
Supplies - pencil, paint, w/c paper, markers, brushes

Oct 20

6. RECONSTRUCTING TAU
SPATIAL ORDER.
How does geometry become aesthetic?
Recreate Tau using triangle templates. Use Tau as a backdrop for a dance. Use Tau to compose. ASSIGNED TODAY: READ - Cynthia B. Colbert

Due - Pattern blocks
Supplies - pencil, paper ruler, compass
Oct 27 7. MANDALA ART  < click to open file
MAPPING THE UNIVERSE
considers multiple ways of organizing spatial relationships.
Create a Mandala with 12 sections that depict 12 aspects of your life with a central image that is the focus. ASSIGNED TODAY:
COMPLETE your mandala art.
Due - Colbert response
Supplies - pencil, paint, w/c paper, brushes, compass.
Nov 3 8. PLANNING SESSION
Creative planning meets art and literacy standards. Use the museum as a cultural resource.
Develop an art planning session that includes piecing together multiple knowledge modalities
ASSIGNED TODAY:
READ: Maxine Greene 2CREATE your own lesson plan
Due - Mandala
Supplies - pencil, paper

Nov 10 9.  MUSEUM VISIT  < click to open file
The museum as a window on the world: The teacher as curator uses art museums as a creative resource.
Sketch 12 symbols of cultural identity while visiting the museum. Use 4 of these symbols on your puppet. ASSIGNED TODAY: CREATE a reflection CONCRETE POEM Due - Greene response
Supplies - pencil, paper
Nov 17 10. MARIONETTE: PUPPETS
Self Portrait. Use artworks, literature, archives and personal history as a source for thinking about cultural identity.
Create a self portrait PUPPET that is decorated with personal history. In groups of four, write a short script for a puppet show. ASSIGNED TODAY: READ: Anna M. Kindler
REHERSE puppets, props, set design, music and staging.
Due - Concrete Poem
Supplies - stick, string, pencil, paper photos, culture objects, puppet supplies
Nov 24 11. MARIONETTE: PERFORMANCE
Present performances with props, sets, music, lighting, etc.
Present your group puppet show with 4 props, a set, music and staging.
ASSIGNED TODAY:CREATE a PICTURE BOOK based on your puppet show. Due - Kindler response Finished puppet
Supplies - props, sets, puppets, strings, sound
Dec 1 12. PORTFOLIO COVER
Consider an image that communicates something about the contents of a portfolio.
Use Powerpoint to present a portfolio of the semesters work: ASSIGNED TODAY:
FINISH Picture Books
SIGN-UP for Portfolio presentations.
Due - Picture Books
Supplies - pictures, art supplies, paint, paper, ribbon, fasteners,
Dec 8 13. PORTFOLIO PRESENTATION 1 Present portfolios. Engage reflective thinking. ASSIGNED TODAY:
FINISH portfolio
POST all BB entries.
Due - Portfolios
Supplies - large plastic bag for your portfolio.
Dec 15 14. PORTFOLIO PRESENTATION 2 Present portfolio and engage reflection Complete post questionnaire. ASSIGNED TODAY:
ALL late work due.
Due - ALL Blackboard posting are due.
Dec 22 15. CONSULTATION SIGN-UP for personal consultation Portfolio Slide Show 2
Portfolio Slide Show 1
Due - ALL WORK

a GRADING POLICY
THE ARTS

CLASS PARTICIPATION------------------------------------------------------------------------------------ 9.0
- Active in Class Discussions, includes #10C  -----------3.0
- Group collaboration
, lesson # 6C, #11C, 12 ------------ 3.0
- BB Participation Board. Respond to 3 activities -------3.0
- Attendance, coming to every class on time. ------------ ?
  (1 excused absence= no penalty, 2. absences= -2.0, 3 absences=  -10.0) 
COMMENTS ON ARTICLES
/ POST on the Discussion Board------------------------------- 9.0
- 1 - Elliot W. Eisner. Misunderstood Role of Arts ------ 3.0 pct
- 2 - Maxine Greene, Defining AE or Wonders of Dif.--- 3.0    
- 3 - Anna M. Kindler or Cynthia Colbert -------------------- 3.0 
Art Projects ----------------------------------------------------------------------------------------------------- 57.0
- Value Painting
#2C ----------------------------------------------2.5 pct
- Dream Collage, #2 H  ------------------------------------------ 2.5
- Body Language
,
# 3C------------------------------------------ 2.0

- Symbol Language #4C --------------------------------------- 5.0
- Pattern  Blocks, # 5H ------------------------------------------ 2.5
- Transformation #5C, ------------------------------------------- 5.0
- Concrete Poem #9H -------------------------------------------- 5.0
- Mandala #5C ------------------------------------------------------- 5.0
- The Work of Art #7C (sketches) --------------------------- 2.0
- Picture Book #9H ----------------------------------------------- 7.5
- Portfolio Cover #10H  ----------------------------------------- 3.0
- Puppet Show, (#10H, #10HC and #11C) ---------------15.0
  (3.0 pts, Culture Shapes, 5.0 pts puppet design and 5.0 pts Puppet performance.)
FINAL LESSON PLAN (paper / html) ------------------------------------------------------------------10.0
FINAL PORTFOLIO PROJECT   ------------------------------------------------------------------------ 15.0
 
Portfolio Presentation ----------------------------------------------------- 5.0 pct
  Conceptual Design: Organizing artworks, concepts and ideas
  Visualization Skills: Portfolio, visual theme, use of materials, -- 5.0

--------------------------------------------------------------Total percentage------------------------------- 100.0
Check rubrics for information on how grades are determined ON-LINE in COURSE INFORMATION.
All work submitted after the due date is subject to a 10 percent reduction in the grade
  ALL STUDENTS should READ the following STATEMENTS from the Hunter College school of education.
conceptual framework

HUNTER COLLEGE Mission Statement

Hunter College is committed to excellence and access in education. The goal of a Hunter College Education is to encourage the fullest possible intellectual and personal growth in each student. While preparation for specific careers is an important objective of many programs, the fundamental aim of the college experience as a whole is to develop a studentÕs rational, critical and creative powers. It also includes a broadening and deepening of outlook, an awareness of oneÕs own and other cultures, as well as of the enduring questions and answers concerning being, purpose and value that confront humanity.


SCHOOL OF EDUCATION MISSION STATEMENT
The Hunter College School of Education is dedicated to the preparation of deeply thoughtful, knowledgeable and highly effective teachers, administrators and counselors. Our commitment is to educating these candidates Ñ future professionals who will make a significant impact on the academic achievement, as well as the intellectual, social and emotional development of their students.


VISION STATEMENT
We envision a School of Education in which candidates are immersed in research-based, clinically grounded, culturally competent and technology-rich programs. We are focused on enabling these candidates to achieve substantive learning gains for the students and schools they will serve.

GOAL
Our goal is to prepare candidates who will demonstrate, through their professional commitments and practices, those multiple competencies that promote effective learning.


EVIDENCE BASED PRACTICES
The School of Education grounds its course content in the best field-based research and practice. Faculty review findings from their respective disciplines to provide our candidates with the strategies needed for effective instruction. Our candidates master the theory and practice of effective pedagogy in their subject areas, and acquire the tools for reflection on and improvement of their professional work. They achieve a solid foundation in the history, philosophy, psychology, sociology and methodology of education that enriches their teaching. Candidates gain expertise in analyzing and using assessment of student performance to guide their instruction and create optimal learning environments for students.


INTEGRATED CLINICAL EXPERIENCES

The School of Education ensures that its candidates understand and experience the realities of school contexts. We establish strong connections with partnering schools in New York City and surrounding areas. We provide extensive fieldwork with supportive supervision in these schools. Our candidates engage in carefully sequenced and comprehensively assessed clinical experiences prior to their graduation.

EDUCATING A DIVERSE STUDENT POPULATION
The School of Education provides its candidates with the critical skills and understanding necessary to be responsive to the multiple challenges of all learners: students with a wide range of backgrounds, cultures, abilities and prior knowledge. We teach candidates to create humane and ethical learning communities in their classrooms and schools. They gain the ability to collaborate successfully with parents, families, community members, school faculty and staff in order to provide this support. 

USING TECHNOLOGY TO ENHANCE LEARNING

The School of Education prepares candidates with the practical and theoretical knowledge of effective and judicious uses of technology in a variety of school settings and for a broad spectrum of learners. Formative and summative assessments of our candidatesÕ technology competencies are a critical component of preparing them for tomorrowÕs schools. We believe that appropriate uses of educational technology enhance learning, assessment and communication



ACADEMIC HONESTY

Any deliberate borrowing of the ideas, terms, statements, or knowledge of others without clear and specific acknowledgement of the source is intellectual theft and is called plagiarism.  It is not plagiarism to borrow the ideas, terms statements, or knowledge of others if the source is clearly and specifically acknowledged. Students who consult such critical material and wish to include some of the insights, terms or statements encountered must provide full citations in an appropriate form.
 

ACCESS AND ACCOMMODATIONS FOR STUDENTS WITH DISABILITIES
We recommend that all HC students with disabilities explore the support services and register with the OFFICE FOR ACCESS and ACCOMMODATIONS.  HC students with disabilities are protected by the Americans with Disabilities Act (ADA), which requires that they be provided equal access to education and reasonable accommodations.  In compliance with the ADA and with Section 504 of the Rehabilitation Act, Hunter is committed to ensuring this educational access and accommodations.  For information and assistance, contact the OFFICE FOR ACCESS and ACCOMMODATIONS in Room E1124 or call (212 772-4857 or TTY (212) 650-3230.



EXPECTATIONS FOR WRITTEN PROFICIENCY

Students must demonstrate consistently satisfactory written English in coursework.  The Hunter College Writing center provides tutoring to students across the curriculum and at all academic levels.  For more information, see http://rwc.hunter.cuny.edu.  In addition, the Teacher Placement Office in the School of Education offers a writing workshop during the semester and a series of free writing classes are offered to students who are in need of additional support in honing their writing skills.  In both cases stop by room 1000West for information and dates of workshops.